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Planetary Motions
, published by Giant Steps Press, is now available on Amazon for $14.95. The Giant Steps website is https://giantstepspress.com/.



Spoor of Desire: Selected Poems
is available for $16.00 from FootHills Publishing, P.O. Box 68, Kanona NY 14856 or see www.foothillspublishing.com.

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Each book is available from the author William Seaton.


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Showing posts with label Chihuahua. Show all posts
Showing posts with label Chihuahua. Show all posts

Friday, October 1, 2010

Creel

     In the 1970s the Chihuahua al Pacifico Railroad between Chihuahua and Los Mochis (called the Chepe) had been completed for only a few years. Its route passes through the high peaks of northern Mexico's Sierra Madre Occidental where even roads had not penetrated before. The Tarahumara, celebrated by Artaud in the ‘30s for their veneration of peyote and by many for their long-distance running had learned to sell their crafts at the Divisadero train stop on the Continental Divide, others had contracted to receive visitors curious to step into their huts in small tour groups, and big hotels had already been built in the Barranca del Cobre itself, but Creel was still a dusty frontier town with unpaved roads used primarily by horses. The only souvenirs were available at the church’s mission office. I would like to think the traditional value of sharing or kórima will survive the construction of the airport now planned for Creel.
     In the days before online research could provide the prospective visitor with information about even rather remote locations, one wandered. After a short time, it became clear that here, as in much of Africa, there was no middle ground between the humblest hotel and the grandest. Somewhere off in the valley, amid verdant growth only a short distance from this chilly height, were world-class hotels, offering amenities which aspired at least to equal those available in world capitals. And here in town?
     Upon asking “¿Dónde hay un hotel barato?” someone pointed us toward the Hotel Gomez, inconspicuous with only a crudely painted sign a few inches high above the door. Barato it was. The place had a dozen or so rooms off a main corridor on two floors. It was midwinter in the mountains and decidedly chilly. The room was dark, and the bed, over many years of faithful service, had developed a decided declivity in the center. Out back was an outhouse for all to use in common, thoughtfully provided with three holes in close proximity, so its users might discuss the day’s events while making themselves comfortable there. After dark, this convenience was pitch black. We found it necessary to wear clothing to sleep as the thin blankets, even when doubled by those in the wardrobe, were insufficient.
     In the morning the two Franklin-type woodstoves in the corridor were burning hot, but not so hot as to prevent the Tarahumara men lounging on either side from resting their bare feet directly on the iron. They had inch-thick calluses, doubtless from going barefoot on the rocky mountainsides, and I feared at any moment the smell of cooking flesh might rise.
     Later in the day as gentle rain fell, we passed a cantina from which the sound of guitar music could be heard.  I entered alone as women did not patronize such establishments.  Though it was yet morning, the place was full of men taking a break from field work due to the weather.  The guitarist sang with a soulful melancholy as eloquent to my ears as to those of his listening comrades.  It was only after I had asked for a beer that I realized the other patrons in this chilly space were drinking glasses of tequila from an unlabeled gallon jug topped with hot water from a kettle.
     I heard no Spanish, only the indigenous language.  Suddenly a customer pulled a handgun tucked holsterless into his pants and exuberantly fired a shot through the ceiling.  No one else seemed alarmed at his high spirits.  But after a bit, one drinker, perhaps an ill-tempered or unstable man, began making aggressive comments which, of course, I could not understand, to me.  His fellows sought to distract him and he settled back in his seat a bit unsteadily.  I decided to withdraw in spite of the haunting melodies of the musician.  
     It was nearly New Year’s Eve, and we saw notices for a Gran Baile with live music. We mentioned our interest in attending to one local in a restaurant, and she cautioned us, “You can’t go. There will be so much drinking. Too crazy.” When a second informant told us the same thing with evidently kind intentions, we decided not to go. We were, after all, traveling with our preschool daughter.
     Once we were simply admiring the view when a local woman on horseback rode up and asked if the little one might enjoy a ride.  We had hardly responded when she scooped her up and galloped off, causing our surprised child to cry out.  The woman, who had meant to be friendly, turned back and returned our daughter to us on the ground.  
     She loved walking with us on the footpaths that extended out from Creel in every direction. Now and then we would pass a dwelling, sometimes literally a cave, often built into a sheltered spot with stone, sometimes free-standing. Clare, not yet four years old, would run merrily ahead to see whether the residents had any children. The native people here, no less than Mexicans in general, adore children, so she made an instant and natural bond between us and the locals. The parents may have been startled and disarmed by our sudden appearance, but the young children made differences dissolve.
     The trip up from Los Mochis had been glorious – it is rightly rated by many one of the grandest train trips in the world. Completing its less spectacular eastern portion to Chihuahua, we saw the Tarahumara sitting on the city streets, selling their wares, as Mennonite men, those unlikely Germanic campesinos, strode past, and, in those days, Pancho Villa’s widow still appeared to tell tourists about the bullet-riddled black 1919 Dodge Roadster in which her husband had been killed.

Wednesday, September 1, 2010

Poems Composed in Mexico



Boca de Tomatlan 

From this cove the hills 
swell up like old tumors, 
straining with luxuriance, 
tense with heat and damp 
 and pain of constant overreaching. 
An iguana with a bad conscience 
dashes down a tree and vanishes. 
A bright orange flower offers 
to sell herself to tourists. 
A pelican bobs like a buoy. 
Its ancient eyes assure 
all who happen here, 
“Have no fear. I, too, 
am your heart’s likeness.” 



 Guaymas 

Desert sun rains stillness over skulls and sentiment. 
Heat falls resigned on cactus sage and slow as teeth. 
On dry hills things scamper, run from themselves, 
scaly feet push off hot earth, thoughts dance 
    like water beads in a frying pan. 
Sun's glance blasts the bay, earth's abdomen rips open 
revealing salt water fish savor sweets fine as filigree glass 
but tender to the tongue when they embrace 
and differences dissolve. 
Piledriver sun stamps a goldfoil nimbus about the brows 
of shoeless bootblacks there. 



 Hotel sin Nombre 

Dust on old shoe streets 
    like mortician's rouge; 
dust on deserted hillsides 
    like mushroom spores 
        dormant for millenia. 
No. 191A behind the cathedral -- 
grand entrance to a courtyard in ruins, 
one side only standing whole. 
Thick jagged walls shattered in shock 
at encroaching construction -- office cells -- 
an elephant on its knees in sight of gleaming glass -- 
revealing twenty foot high ceilings, 
antique dressers, 
cupboards spilling out of the rooms 
into hallways rich with murals, 
and flooring through which sight was clear two flights down! 
The torn court was full of plants; 
in the center an entire tree 
    brilliant with birdsong; 
masses of volcanic rock along the walls, 
dark wood cases with bones, shells, trash, 
    all cunningly and randomly arranged 
        as testimony of all orders. 
Books, too, bound in leather, some: 
    Dante, Wilkie Collins, medical texts, 
"The store used them," the hotelero looks up, 
"the store that was up front -- 
    they added in them -- 
         bananas, beans, oranges, you know" -- 
sigh ripples widen at the back of his skull's wall -- 
"ten years I'm here, and now it's going . . . " 
He returns to the booklet in his lap 
where Superman, bursting down a wall, 
lands again upon his feet. 



The sea a profound green 
     which deep inside 
         reflects beyond tomorrow; 
it reaches out 
     again and then again 
         toward its old love, the moon, 
then spends itself in foam 
     upon the shore where crabs 
         without memory skitter blind. 



Bahia de Banderas 

One day we will 
no longer sit like lords 
on this bright beach 
for long before the engine’s gone 
from these incessant waves, 
before sun’s glint on sea 
has faded and blinked out, 
before the arms of this broad bay 
have wearied and collapsed, 
and earth and air and water mixed 
into some nameless stuff, 
I see succeeding grandees 
make this spot their throne. 



Sunset Going Down Slow 

Sunset clouds -- 
strewn purple sand 
out of focus in forgetfulness -- 
poised on a ridgepole 
between underside's doubt 
and the march-time of the sinking sun. 
This twilight sheds a benediction 
even on averted eyes. 
It tempers the air, 
and shows the middle way. 
The hills, which once thrust out and up 
proud flames, have baked and worn 
and battered to caricature's profiles 
of old intent. Purposes laid bare at last: 
one threadbare hip with vertical striations 
like dry longing lost or apple wrinkles; 
chances budding now anew 
 in small and sudden cacti 
and furtive bushes. Another like goat horns 
sour against supporting earth 
envies the sky's deep frivolity 
it can't afford, rolls unbalanced between, 
 a weighted die, 
    most red-souled of the lot, 
        weeping blood. 



Men’s Clubhouse in Chihuahua 

Bar San Juan 
unlike the barebones Tarahumara mountain cantina in Creel 
     (with weeping ceiling and soulful song to touch the heart direct) 
is a real city longhouse cavern 
with tricky frosted mirrors to avert the enemy 
or surprise the sudden self, 
neons winking hypnotism through the dark, 
and a bouncing band of trumpets, violins, guitars, 
with one saving trickster spirit bass 
running contraries behind. 
But the eikons! on the walls! 
 * Playboy pinups and
 * heads of long-defeated deer grim under hemispheres of light 
 * prick and balls shaped bread hanging on the wall so proud and 
 * if that were not enough, a penis bottle opener (hardwood-carved) 
 * and a framed print with its 1940's Saturday Evening Post epiphany 
    hunters hanging out in camp, no thought of game, 
    must drop their beers and grab their guns, 
    when the deer or reality walks right in. 
No such danger here: 
all around the room embraces 
smoke the blab of business ass-slapping 
raucous noise rising to meet the music 
and a boy sits 
in the thick 
courtyard 
window 
with a Coke 
leaning in 
as far as he possibly can.