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Showing posts with label Eckhart. Show all posts
Showing posts with label Eckhart. Show all posts

Thursday, February 1, 2018

Walking the Via Negativa




     The believer in nothing may find that nothing can be as substantial a deity as old Jehovah or bright Apollo. Though many sensibilities seek the warm (but sometimes frightening) anthropomorphic god provided by myth, others, miraculously, perhaps, find a secure foundation in a lack.
     For the spiritually inclined unbeliever to whom the deity of childhood is inconceivable and indeed who cannot even understand how any contemporary educated person can continue loyal to institutional religion, the data reporting mystical experience retain a different sort of truth value. There can be no denying experiences of unity with the divine throughout history and around the world. Apart from the mystics, some theologians have laid out a theoretical basis for a faithless faith. The skeptic will take particular interest in the apophatic tradition, the via negativa, which eschews positive assertions about god, describing the divine in terms of what the godhead is not and basing an authentic spirituality in what we do not know.
     Hinduism and Buddhism have been more hospitable to apophatic theology than Christianity, Judaism, or Islam. In Asia the phrase “neti, neti” (“not this or that”) is the definition of Brahman in the Bṛhadāraṇyaka Upaniṣad and the Avadhuta Gita. [1] For the eighth century philosopher Adi Shankara the highest concept of the divine was Nirguna Brahma, a Brahma without qualities. In general Advaita (non-dualistic) schools of Vedanta and Jnana Yoga employ such language. Jainism, Buddhism, and Daoism, have in fact no god, though devotees have not been slow to invent quasi-divine figures such as the Jain Tirthankaras and the many godlings of popular Buddhism and Daoism. Though the Abrahamic religions are by comparison resistant to a truly agnostic theology, their more philosophic and mystical practitioners have regularly condemned anthropomorphism.
     Buddhism is notoriously receptive to agnostic or atheist ideas. When the Buddha was asked about the nature of the divine and the afterlife, he responded that one should attend no more to such matters than a man injured by a poisoned arrow need learn all the details about his attacker before tending to his wound.


And why are they undeclared by me? Because they are not connected with the goal, are not fundamental to the holy life. They do not lead to disenchantment, dispassion, cessation, calming, direct knowledge, self-awakening, Unbinding. That's why they are undeclared by me.
[2]


     Likewise in the works of Nagarjuna, founder of the Madhyamika school of Buddhism, all phenomena, including acts of cognition, are empty. Even the deity is a sort of Kantian noumenon inaccessible to the human mind. The Aïguttara Nikàya and the Jataka stories both deny a personal all-powerful god. [3]
     Buddhism regularly teaches, in contrast to the notion of a savior, that one must not look for aid from some supernatural being. In the pursuit of Ultimate Reality one can depend only on individual effort.


By ourselves is evil done,
By ourselves we pain endure,
By ourselves we cease from wrong,
By ourselves become we pure.
No one saves us but ourselves.
No one can and no one may.
We ourselves must walk the path:
Buddhas only show the way.
[4]


For Buddhism what is significant is ridding oneself (and for Mahayanists other sentient beings as well) of suffering. Inquiries about the afterlife, the eternity and infinity of the creation and other issues are dismissed as “the fourteen unanswerable questions” (though the numbers differs in different texts) which are fruitless to pursue. [5]
     The most significant source of apophatic theology in Christianity is pseudo-Dionysius the Areopagite, in particular his Divine Names and Mystical Theology. Dionysius built on his Platonic and neo-Platonic predecessors [6] when he concluded that the description of Ultimate Reality is impossible. For Dionysius the contemplation of God leads to “a divine silence, darkness, and unknowing.” The truths about God are "unspeakable and unknowable,” they surpass "our logical and intellective power and activity" Thus one may not predicate anything whatever of the deity without falling into error. Dionysius did make allowances for some scripturally based epithets and nodded to tradition, saying "we must praise the providence of divine dominion, the source of goods, [in terms taken] from all the things that are caused.” According to Dionysius human reasoning which takes place in time cannot access the divine, while what he called our “intellective” faculty can grasp truth in an instant. This sort of knowledge, similar to what Augustine called illumination and Boethius “intelligence” is capable of a vision of God.
     The notion that God may be apprehended in a transformative realization leads naturally to an openness to the experiential data of mystics: those who enter into union with it [God], "according to the ceasing of all intellectual activity, . . . praise it best of all by denying all beings of it.” [7]
     For Gregory of Nyssa, the fourth century bishop, a necessary consequence of the infinity of God is his belief that God, as limitless, is essentially incomprehensible to the limited minds of created beings. To him “every concept that comes from some comprehensible image, by an approximate understanding and by guessing at the Divine nature, constitutes a idol of God and does not proclaim God."
     This concept of the divine, with its close links to Plato and Proclus, was brought forward in a tradition including Maximus the Confessor and Johannes Scotus Eriugena to the high Middle Ages when it proved fundamental to the mystics of the fourteenth century such as Richard Rolle and the author of The Cloud of Unknowing. Later Meister Eckhart declared, citing Dionysius, “God is naught. Meaning that God is as incomprehensible as naught.” For him “the height of gnosis is to know in agnosia.” [9]
     Likewise, while popular Judaism can be thoroughly anthropomorphic, more sophisticated thinkers have outlined an apophatic deity as well. To Philo Judaeus the anthropomorphism of a literal reading of the Bible was impious as well as mistaken. He considered it manifestly absurd to ascribe to God purely human attributes. [10] His most distinguished successor was Maimonides who in his Guide for the Perplexed insists that “the negative attributes of God are the true attributes.” [11]
     This smattering of theologians of widely varying views is hardly meant to indicate that I accept the view of godhead proposed by any one of them or even that I fully understand their positions. Rather it is excellent evidence that I and perhaps you are not wholly idiosyncratic in the attempt to save spirituality from the supernatural. The experience of people as far back as records exist has included experiences of what Romain Rolland in a 1927 letter to Freud, called "oceanic feeling." [12] Whatever one may make of it, the records of such sensation s are clear and consistent throughout human culture. There can be no doubt that people, often using one of a variety of mind-altering techniques such as fasting and meditation, have through the cultivation of cosmos-connected consciousness, achieved an enviable level of serenity and satisfaction. These empirical data carry far more weight than the theories of thinkers seeking to justify such spiritual endeavors, yet they imply the need for each individual to pursue enlightenment anew. The words, even of Gautama Buddha, are, "like a man pointing a finger at the moon to show it to others who should follow the direction of the finger to look at the moon. If they look at the finger and mistake it for the moon, they lose sight of both the moon and the finger." [13] And this orientation to the lunar sphere, which is to say to the sublime, persists in spite of the fact that the liberated mind perceives the hollowness of all phenomena, “all construings, all excogitations, all I-making & mine-making & obsessions with conceit.” [14]



1. See the Avadhuta Gita 1.25 and the Bṛhadāraṇyaka Upaniṣad 2.3.6.

2. Majjhima Nikaya 63 MN 63, called the Cula-Malunkyovada Sutta.

3. Aïguttara Nikàya A.I.174, Jataka VI,208.

4. Dhammapada 165, here in Paul Carus’ translation.

5. Of course, many Buddhists reverted to the Hindu belief in reincarnation as well as to the apotheosis of Buddha and other figures.

6. See Timaeus 28c.

7. All references to pseudo-Dionysius may be found in Mystical Theology I, 1-3 and Divine Names cols. 585-588, and 593 and in Harrington and Corrigan’s article in the Stanford Encyclopedia of Philosophy.

8. The Life of Moses; translation, intro. Abraham J. Malherbe and Everett Ferguson ; pref. by John Meyendorff , p. 81.

9. The Divine Being, Sermon XV.

10. De Confusione Linguarum, 27 [i. 425].

11. In Chapter 58.

12. Discussed by Freud in Future of an Illusion (1927) and Civilization and Its Discontents (1929).

13. Surangama Sutra trans. by Charles Luk.

14. Aggi-Vacchagotta Sutta: To Vacchagotta on Fire, translated from the Pali by Thanissaro Bhikkhu.

Saturday, June 1, 2013

Who is Piers Ploughman?

     Langland’s Piers the Ploughman [1] is read today for its vivid realistic pictures of medieval life and for it its attacks on church corruption (read by some as early rumblings of the Reformation) as well as on human folly generally. Rooted indeed in realism, as the best of phantasmagorias are, the author’s vision extends to the metaphysical. Though Langland doubtless considered himself altogether orthodox, his marvelous and complex narrative seems at times radical in its theology, often at the poem’s most dramatic moments.
     Piers the Ploughman is a dizzying dream vision which provides as many glimpses of symbolic moral and metaphysical propositions as it does genre scenes. Though Langland’s narrative shares with the later masque form the use of allegorical characters, in Piers the Ploughman they move in a lively, almost cinematic movement, in contrast to the hieratic formalism of the later spectacle (performed though it was). Among the elements that keep the text decentered is the dynamic question of who Piers in fact is. [2] He is identified at different times with Christ, St. Peter, and the Good Samaritan. Most often a farmer (and sometimes an overseer of farm laborers), he is more generally considered a type of the worker and at times seems to be instead a tailor, a tinker, or a weaver. In other passages he seems a sort of landlord, a magistrate, or a ruler, even a universal ruler, though he also can appear as a type of the English subject or, in other passages, more a representative of all of humanity.
     Some readers have found the medieval system of Biblical exegesis (literal, typological, tropological, and anagogical) useful for sorting Piers’ roles, and many find that a simple division between an earthly Piers, representing an idealized worker in Part One, and a semi-divinized, Christ-like one in Part Two.
     There can be no question that Langland foregrounds the laity. The poem consistently privileges charitable works (indeed, work in general), giving little attention to the sacraments or the Papacy. Will’s instruction to seek Do-Well prepares the way for Piers’ marshaling the masses to pursue salvation. Piers is said to discount everything except love. (193) In particular he “shrugs aside” all learning, the means by which a man enters religious orders and masters the sacred spells in Latin. Langland twists scripture to make St. Paul condemn friars. (192)
     Not only, though, is the focus of the church decentered from its ordained bureaucrats. More significantly, the title character – Piers – is presented with a shifting and mysterious identity. His complexity has radical theological implications. The essence of Christianity is surely Christ’s mysterious combination of divine and human nature. Though he shares this characteristic to one extent or another with a great many deities, including a whole pantheon from the ancient Near East, including Osiris, Tammuz, Adonis, Baal, and Dionysos, such a figure is notably absent in Islam, Judaism, and other religions. While the imitation of Christ was an ideal from the earliest Christian times, those who identified too closely with Christ were often, like Meister Eckhart and the Quakers, labeled heretics. The adversarial relationship with the church establishment was sometimes returned by individuals such as Richard Rolle who criticized the church’s corruption and sought a route to salvation/enlightenment outside its organization. Though Langland seems to have been a minor cleric who made a modest living from his humble position in the hierarchy (performing funerals, for instance), the lay Christian is central in his book. While avoiding outright dissent from dogma, Langland’s poem places its central drama far closer to home than Rome, in the soul’s psychomachia.
     Piers’ and even Will’s conflation with Christ appears in various forms. Will says, “I have never seen [Christ] in person – only His reflection in myself, as in a mirror.” (221) Christ’s coming is associated with the ripening of Piers’ fruit. At one point, Piers fights the devil using Christ as a weapon. (239) At another a rider resembles the Samaritan and also Piers, but is greeted by Faith as the Son of David, simply wearing Piers’ human nature like armor for the showdown with Satan. (255) Will questions whether this Christ in human garb is in fact Piers. (269) Most tellingly, Piers is given custody of the pardon [3] Christ won for humanity (274) and given the power to make communion bread. (279) Piers even goes about the business of constructing the institutional church. (278) Yet the same status seems available to all. Holy Church herself tells Will “He who speaks nothing but the truth, and acts by it, wishing no man ill, is like Christ, a god on earth and in Heaven – those are St. Luke’s words.” (72) (Tellingly, the Biblical citation is untraceable.) Most striking of all is the claim that charity can be discerned “only by knowing the heart. And no one on earth, not even a priest, can know that, but only Piers the Ploughman – Peter, that is, Christ.” (223)
     Langland does not claim union with God as some mystics of all traditions have. The implications of the character of Piers fall far short of the thundering revelation of the Chandogya Upanishad: tat tvam asi; That art thou; atman = Atman. While to Eckhart “God’s is-ness is my is-ness, and neither more nor less,” [4] Langland not only stops short of identifying Piers with God, he also includes another layer of separation with his persona Long Will. Nonetheless, the book powerfully expresses the potential for the individual to find salvation/enlightenment, to pursue a righteous path through life, and to lose ego in the divine, all without benefit of the Catholic church whose officials tend here to appear most unchristian. The dance of Langland’s characters, the assertively vernacular language, and the originality of the poem’s imaginative invention while treating the most commonplace of medieval topics make Langland’s poem convincing and compelling.


1. References here will be to the translation into modern English by J. F. Goodridge in the accessible Penguin edition. Following Goodridge I use here the spelling "Ploughman" though "Plowman" is standard.

2. See Howard William Troyer’s PMLA article “Who Is Piers Plowman” (Vol. 47, No. 2, Jun., 1932).

3. Oddly the pardon is good for all sins except debt. This principle is repeated that there may be no misunderstanding. See pages 274 and 292. Is this a sign of Langland’ loyalty to the merchant class?

4. p. 180, Meister Eckhart, translated by Raymond B. Blakney, Harper & Brothers, 1941.